Why we are on the sea again: to take of from our virtual “mind you gap” comfort zone?
My motivation is to start to feel and understand the connectivity of the “islands, places ” in the Mediterranean world.
It is something opposite to what I was focused on till now.
The evolution or to say civilization that we are part of, is empowered and inspired, motivated from the qualities of the particular place: island, river, welly,…
The qualities, the individuality of each place is (was) the key for progress- AND now I can say also regress.
But there is But.
NOW there is also awareness of the “strings”.
Which means CONNECTIONS, vivid interactions, creating a new energy field of consciousness between all existing life here and above.
A foundation for evolution in this fast-changing times.
Look inside of busy beggining of our cruise...through the eyes of new member of the crew - slovak film-maker/graphic designer Matej Michalec. He will tell you what MEDland project means for him and what brought him to the Mediterranean sea.
Despite great challenges, our expedition is going on. Waves are bringing us to the island Korčula and Mljet.
Get your copy of the NEW photo book on Venice, featuring photographs taken in 2020, which will be officially released on May 7th. You can secure your copy if you are an active Patron of the MED Land project or shop on theMED Land page!
THE STORY:
Venice is the tip of the Mediterranean and the starting place of the MED Land project. I lived in Venice on Nalu (the project boat) for a year, and the outcome was different exhibitions and the book ”Water Dragon of Venice”. Seven year later, I felt the urge, a call to come back and witness Venice again. THE RESULT IS ALREADY PUBLISHED IN a photo book with English text by Marko Pogačnik. This time, it was a a simultaneous call of two, Marko Pogačnik and me. No wonder, really, since we already collaborated on 5 book projects about Venice. During 2020, Marko has been visiting Venice mostly telepathically, and wrote and drew a completely new vision of Venice, titled VENEDIG – EMBRYO DES NEUEN ERDENRAUMS (VENICE –EMBRYO OF THE NEW EARTH SPACE). The second book, which is complementary to this one, features a selection of 92 full-page images which were also created in 2020. This 2-in-1 bundle is published in German by Neue Erde.
The English version is a photo book with short introductory text by Marko. It is a limited edition of 99 copies and a very high-quality print.
English Version - ONE book > 92 photos/144 pages 27x20,5 cm, hard cover: VENICE-EMBRYO OF THE NEW EARTH SPACE
NOW is the right time to get involved in the very important 2021 chapter of the project.
Boy your own copy on MED Land>get involved and money will go all for the project to live on.
The book is priceless and free, but you can contribute 32 EUR + flat price postage (SLO 4 EUR, EU 7 EUR, USA 12 EUR).
An EVEN BETTER option, however, is to became a PATRON on Patreon Page and get the book with a 10 USD contribution only by limiting your monthly contribution to one month.
Ikaria Island is like a crown chakra of the vast Aegean sea, the Mediterranean and beyond.
Can you sense that on the internet?
In 2018, I came here to meet Christodoulos Xenakis, and from the first moment, he shared with me and the MED Land team at the time (Melania and Kubilay) his heartfelt and passionate relation with Ikaria, taking us around and explaining past and present footprints on this ancient land. Christodoulos is 85 year old now, still running an organisation – the Institute for Ikarian Studies (IFIS). One of his compassionate idea was for each EU country to have one container house as an art residency place on Ikaria island. IFIS actually got one which was “waiting for the first“ country to make it happen for more than ten years …
The friendship with Christodoulos, as well as with other Ikarians that MedLanders met in 2019, has grown to this day, which is well reflected in the stories about the adventures of Christodoulos and other Ikarians such as Urania, Dimitris, Vangelis and others. The Med Land team also facilitated a land‑art stone sculpture project on Ikaria by international group of artists-geomants, which is still ongoing.
Here are some links to stories and news related to Christodoulos, Ikaria and Ikarians:
Ikaria has at least 15,000 years of continuous history of their own specific civilisation. Their main god is Dionysus. During the 600‑year period of pirates, they hid and lived untouched in the middle of the 1,000m high island. The communist ideas are still legit here to this day. Living with less, in a sustainable way, with a lot of music and dancing is what they like … the Dionysus way … Ikaria is also known for many people that easily reached 100 years of age … The recipe is not to live alone.
My top tree virtues of Ikaria that made me become its fen are:
1-2-3:
the perception of time on Ikaria as one big “now” … Every day is a new day, and a reset of “priority and schedule list“ is normal, acceptable, a way of living;
awareness of the values of the Ikaria continent with the positive attitude towards sharing them. It is about being grounded and connected, not only on a human level;
openness to the rest of the world.
In 2020, Christodoulos offers us – the “Slovenians“ – a tiny container house to use it for the “project residency“.
In February/March and November/December 2020, four of us made it liveable! The idea is for people with creative aims to be able stay on Ikaria, live, experience, interact, and create something out of it.
"The measure, the aesthetics and the human are three different keys for happiness and balance in our lives, because you can see all aspects of all these three things in our lives."
“When we started the agency, I remember my mother saying to do it in a way that would not spoil the island. I use my skills, art and knowledge in tourism …"
Urania is dedicated and native Ikarian. Her father opened the first tourist agency on the island, which upheld the values of sustainable tourism from the very beginning.
“All aspects of our life come from aesthetics. Aesthetic is not just about art, it's about how we choose the people around of us, our environment, how how we dress, what we eat ... Aesthetics is also very much related to harmony, and harmony is based on the human proportion. The purpose is to be in balance, in which case we never go against the natural flow of energies in other words ... Aesthetics will make us better, will make us happy, because according to our taste, we choose our partner or lifestyle, a glass of wine we enjoy, and finally, it's the meaning of life ... But we don't pay much attention to aesthetics. We have to teach children to watch, to observe and make their own choices. For me, this is the beginning of a person's personality. All this has to do with our lower instinct, but if we don't use aesthetics, we cannot be masters of our instinct logic and soul. Brain and soul, these are two potentials we have to balance. We must respect our contribution, or our existence in the universe, and not try to force the change of the rules, because then it really becomes toxic and catastrophic. Aesthetics is about the big chapter - it's a big part of philosophy. This could be the applied philosophy in life, this is the key to making us open windows, to seeing things differently, to reestimating our position as humans, as individuals, as a smaller group, as well as people as part of the universe.”
Aesthetics is very much related to harmony, both are universal principles, and harmony is based on human proportions. If we are balanced, if we follow these principles, we never go against the natural flow of energies ... In other words, aesthetics will make us better, will make us happy.
Aesthetics is underestimated or ignored. Many people think it has to be linked to a specific field, when we talk about art, but in Greek, aesthetics – αισθητική (aisthitikí) – is a big chapter of philosophy, and I think this is applied philosophy in life, this is the key to making us open the windows to see our position, to reestimating our position as humans in the universe, starting from smaller groups and environments, such as community, the people of one's country, the people of one's continent, the people of the world, and the people as hearts of the universe.
Let’s go back to the fundamental unit, the human: aesthetics will make us better, will make us acceptable in a community, will make us happy, because we make our choices according to our aesthetics and our taste.
In my opinion, everything starts with this, and we have to teach the children to watch around and to make their own choices.
For me, this is the beginning of building a personality and a more complete human being.
Soul instinct
The soul has to do with the lower instinct, but if we don’t use aesthetic, we cannot be master of our instinct, brain and soul. Logic and instinct are two of our potentials we have, and we have to balance them.
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We need knowledge, aesthetics, and awareness about the people, because if we only care about ourselves, we cannot move forward (when I say about ourselves, what I mean is about ourselves and the people closest to us), we have to be more open and caring. It doesn’t mean we need to become victims, but to be generous.
To combine logic and instinct, one must have knowledge, awareness of one's environment, and aesthetics. These are the five boxes that enable us to move forward as personalities, get developed and be a member of community or a member of the universe.
All the rest, money, respect and everything, come later, because if you are aware and you have aesthetics you can respect yourself, other people, the nature, the environment, everything.
If we change our aesthetics, we will become more aware of the environment. For example, we will not accept so much plastic around us, we will be aware to preserve traditional style of the architecture, to keep our tradition, our costumes and our culture alive.
We can be more sensitive and protective if we have a very concrete idea about what we want our environment to be and if we can clearly see ourselves in a specific environment.
In order to achieve that, we have to be very precise according to our aesthetics. for example “Kitsch environment” comes from someone who ignores the term “aesthetic”, with all the expression of his life: environment, behavior, generally.
on the practical level
Years ago, I was invited to a council in the capital of Ikaria, where we had a meeting to talk about tourism. Our usual common problems are: lack of transportation, very bad ferry connections, especially back then, old abandoned cars beside the road, cleaning the beaches, and generally the way we handle waste and how we could train the people involved in tourism to treat visitors more professionally and carefully.
When it was my turn to talk, I said that the priority was to reevaluate our aesthetics of the island, because if we manage to do this and we train new generations, showing them that there are other standards of organizing life, we will never need to talk about all those practical things separately, because they will simply choose much higher quality environment to live in, which would affect the visitors as well.
If we create a little paradise in the middle of nowhere, people will know that they will discover a diamond, it doesn’t matter if there is one boat for months or for weeks, they will come just to experience this environment with us ... They didn’t get it.
I saw that all these people were raising children.
The role of Greece
Everybody was talking about the Greek crisis, the economical one, but it wasn’t only economical, it was also general, political, cultural.
There is a book called Ikarian Utopia, written by a French philosopher Étienne Cabet in the early 20th century... He’s describing the ideal society. Ikaria was a very special society, underground, because it was based on different values compared to other areas in Greece. Compared to other Greeks, the Ikarians were snobbish. But they discovered that we are happy and with less stress here.
They started looking for us again, to see what’s going on here. So I think that Ikaria is an example of how people can reevaluate their lives. And this is a great example, not only for Greece, but generally for people. Because there are people from all over the world – from Europe, from America, from everywhere – who know Ikaria as a good source of knowledge to reassess their lives and to change their priorities in order to achieve wellbeing, to achieve well-living. I think that Ikaria could be a very good example of wellbeing and well-living for all the countries in the Western world, not only Greece. Everybody was talking about the Greek crisis, meaning the economics. But it wasn’t the economics, it was a general crisis: political, cultural, parental ... If experts would examine the phenomenon of Ikaria, they would see that Ikarians were less affected during the period of the crisis, because of the way they organise their living.
One of the values we have here is ‘less is more’. Not quantity, but quality. The roots. There are different keywords that if we were to gather all together, I could explain the dream that I have: being in a human environment, having real, good communities with other humans. Human communities, not isolated but open, in their own way. My dream is to keep the values and the measure as we know them, because it is not by coincidence.
The important thing is that we create the time. Not the other way around … This is what happened today. I was busy in the office, I had many commitments. And in a magical way, without struggling, I ended up spending the entire day with you. I enjoy it, you enjoy it, and there was no stress of ‘oh my god, what’s going on’. With a couple of phone calls, everything is possible. Everything needs its time. And it finds its time, finally. Whatever it is that you want to sort out. I think the point is to get in a no-time situation. Sometimes it works better than to force things, to make plans, to try to make things happen. Somehow we use time as the measure to organize our lives. If we just start doing the things that we want to do and just let time follow the activities, rather than setting deadlines, it seems that it works much better for our mood and the achievements that we get.
Development
For me, development means improving our lives in terms of quality, convenience and respect. Respect for balance, for tradition, for costumes, and for the specific characteristics of the environment and its people.
Life&Art
For me, art is the filter of our lives, our expectations, our experiences and viomon, through which we can look into the mirror, improve our ego, improve ourselves in what we wish to communicate with our environment.
You cannot create art if you don’t have viomon, the life experience that has been transformed into the very essential part of our being, a part of us. This is what I call viomon.
If you don’t have that, if you don’t have expectations. If you don’t have a vision of life, you cannot make art. You are flat. You don’t have anything to say or to communicate.
So, how are you using these things to create, if you want to be creative? What does it mean “to create”? I create something through which I want to show my improved self, my filtered self.
I filter myself through art, and I am here, ready to show you another aspect of me and to communicate with you.
People have the need to communicate. Why don’t they communicate only by talking to one another? Because their art, what they have created, is something new, is a new body, a new creation that they present to others.
This is the improved self: a self that also includes more magical elements and less realistic ones, which they could not use in different other ways.
Involved
I am quite active; I hate the phases “I belong” or “I am a member”, I believe in freedom and action, and I have done it many times. I took action whenever I felt that it was necessary to do something.
I feel a great responsibility and duty to act, whenever I can, for the rights of the people, for the humankind, for the environment, for this place.
I strongly believe in the values of the unit, the will of the unit and the freedom of the unit; because we are units with a free will that can move things forward, it’s exactly the opposite of a community.
Cooperation is necessary, contribution of a team with ideas and actions is necessary, but I will never accept to be a member of a union and act as a part of a union because I will not accept to lose my freedom of expressing my ideas, I think that it goes against the actions.
1st Example
I will give you an example: if I am painting or cleaning the road and someone comes to me and says: “Listen, as you are cleaning the road, maybe you can join our club, you can be a member of the union, 'Cleaning with the rainbow'.” If I say yes, they will say, “Oh good, you have to come, read the statement, sign and come to the council to have meetings, and clean with the rainbow”.
Maybe it wouldn’t be acceptable to clean someone’s house if the person was a refugee and he should become a member of the community , he’s not paying the annual fee, so he’s excluded, “and after all, we don’t need refugees, because they don’t speak the language … So, we don’t clean”.
I wouldn’t agree, and I would go there and clean the house.
The next day, maybe the council would have a meeting to decide whether to expel me from the club.
This action would take my freedom to act as an activist away, whereas otherwise I would be able to do it without any consequences.
So, we are back at the beginning: if you want to do something, just do it. If you have people that need support, do it.
I do not belong in any council, in any local community.
2nd Example
One day, a union asked me to help them build a road to connect Therma to Nealia Beach.
They worked with some volunteers, but they need thr money to pay for the wood and some workers with the machinery.
At that time, I was broke because the season had not started yet, so I gave them one of my painting, a big one, and I suggested they make a lottery.
They managed to collect 1,600 euros, and that was more than enough to cover the wages. Then, they said to me: “We only need 800 euros, so you can have the rest”. I said: “No, because you made all the effort, I gave you my painting, all the profit is yours. If there is money left, just keep it, have a big party, feed the people who work as volunteers”.
They made the party, they bought the food and at the same time and at the party, they also collected extra money.
So they asked me if I wanted to be an honorary member of the association, and I said: “No, I am here, if you need something just call me and if I can do something, I will do it, but don’t put me in the difficult position of becoming a member.
I offer as much as I can. If you believe in that, you don’t need to make your life very complicated and make up rules everywhere.
Eleonora Pauli, Urania Mytika geting ready for self portrait, BB
Released by MED Land project / photography, editing: BB / cover photo: self-portrait by Urania / audio conversations, BB and Eleonora Pauli / transcription by Laura Mangumba and Giacomo Colonnelli / text editing - proofreading: Tadej Turnšek, godfather of the story: Barbara Ćeferin
Participants were from Croatia and Slovenija mostly scholars of the second year of school of Geomancy, assistants for the field exercises, some permanent collaborators as well as organisers of the event from the island..18 altogether! The focus of the workshop of intensive 2 nad half days connecting, understanding, communicating and acting in imagination for the wellbeing of island Vis and Biševo.
The main push to do the workshop on the archipelago of Vis was an invitation of LAG ŠKOI - Manuela Antičević, who was also the organiser of the event.
Among the visited places were: church of Marija Gusarica-Komiža, the chapel of SV. Mikula above Komiža, the monastery of SV. Jeronimo-town of Vis, Duhova cave also known as TITO headquarters during II WW, Stiniva beach, the monastery of SV.Nikola above Komiža, Biševo island -Blue cave, The sea bear cave and Odyssey library, Sv Ante Padovanski on Plisko plain...
The workshop was held on Vis and Biševo island- in Adriatic.
The opening took place in the courtyard of the Bianchini palace, now Museum of Stari Grad, Hvar island on 11th September at 11 am!
The multimedia exhibition“Barke”(Boats) is built by three elements. The first is Bojan Brecelj’s photographs, focusing on the construction of wooden boats on the island of Samos in the Aegean Sea, which is one of the few places in the Mediterranean where wooden boats are sought and masters still have a lot to do! (collection of 7 prints-limited edition 100 x 70cm and 110x 30cm )
Looking at the strong structures of the boats made of wood growing here, on the hill above the sea… the questions appeared: Is this the past? What is really the future of sea travel? Having in mind these questions, these photographs were created.
The second element of the exhibition is ceramic sculptural works of Ivana Petan – abstract forms of boats, made in the technique of paper-porcelain, chamotte clay and glazes.
In the hours when the sea and sky are painted in the same colour, they look like one big blue. Through it, beings of different worlds draw traces of innumerable shapes, creating a unique mandala of destinies. Each trace tells its story – its creation, its path and its mission that it yearns for. To imprint the traces of sea, to take its form, it happens through the respect, hearing and participation of all visible and invisible phenomena that create the whole of the open and every moment of the new water-air space of life.
The third element of the exhibition is image&sound track TRACES OF MED LAND PROJECT 2019/1, a project on which the creation of this entire exhibition is built on. The soundscape was created by Eleonora Pauli.
more images and the opening:
collection of 7 prints-limited edition 100 x 70cm and 110x 30cm are available as special offer at:
It was such a precious coincidence meeting a Japanese sailor, Wakao Yoshikatu on the island of Ikaria, Greece. /interview, transcription and photos by Ayane Tanaka./
We were curious to know about the philosophy and the vision of his life because it’s very rare to see Japanese sailors around the world. Here we share his story of the experience in both Japanese and Western culture, which makes him always like to start new things.
“I decide my way of living by myself, not by society. One reason for the decision is rooted in my experience in the exchange study in America 40 years ago. I was shocked by cultural differences, such as individualism and proactiveness. These new values have influenced my current way of living.Another reason is based on my focus on the value of free time, which I cultivated through sailing. In Japan, the priority tends to be working and commercial affairs, not leisure like sailing. In order to have my free time in Japanese society, I have to find out my own way to make a living.”
“The motivation for working is to make customers happy. I have work experiences in different fields such as a buyer of jewellery, a builder, and a hair artist etc. However, my belief in working is one: to make customers happy. I believe a person who is happy to please others can be the happiest person.”
You can track Wakao’s Sailing Vessel “Crow’s Nest 7” from here. We hope more Japanese sailors can be seen all over the world near future.
While staying in the port town of Agios Kirykos in Ikaria island, we met with Antoni Font Gelabert. Antoni has been involved in environmental protection and sustainability for over 30 years, including seven years of being a board member of Greenpeace International. He is currently working on two projects. The first, Pandion, is an environmental consultancy firm. As he explains, Pandion is the Latin name of the fishing eagle, since they mostly work in marine conservation. The second is Ocean Observer, a project that aims to introduce electric boats into operation, from installing electric engines to borrowing electric boats to non-governmental organisations.
Coming from Mallorca and having expertise in the Balearic Islands, Antoni visits Greek islands every year for the past 12 years. Connected to both these places, he transfers his experiences from home to the processes that the Greek islands are undergoing now. As he says, he is interested in seeing and understanding how the same processes that have destroyed Mallorca are acting in different places.
“I come from a place that is strongly saturated by human pressure. Mallorca is growing at the rate of the full population of Samos each year. In the coming years, Mallorca will grow by 300 000 people, ten times the population of Samos. So mainly the challenges and the problems we detect have to do with this overcrowding and the pressure of tourism. But not only tourism: there are people who want to come to Mallorca because Mallorca has very good infrastructure, very good transport and all these things that are fantastic for any project or business. In fact, of the 80 000 people who come to live there each year, 50 000 go away because they don’t find their real dream. So Mallorca is what I call a dream shredder: a shredder that destroys the dreams of 50 000 people whose dreams don’t come true. Because the pressures and the competition are really hard. But the rules of neoliberalism say that everything must go in the direction of growth.”
“On our islands we have released the ropes and we are drifting in terms of the relation of people with nature. And here, of course, this is starting to happen. But when we come here, we feel like in the Baleares 50 years ago. There is internet, there is everything that is in our islands, but many ways of doing are still old fashioned. And that has a lot of value: I love the old fashioned way of relating to nature. In the basic sense, I feel at home.”
He talked about where he sees the current problems of the Mediterranean – and the ways to solve them.
