Message from Tara to Sirius  

Intro : where did I come from with my photography journey, interest, what do i gain in photography

My name is Tara and I would describe myself as an active, joy seeking, nature loving creative mind and free soul. I have always been into arts, but more painting, drawing and crafting. Now it was time for me to dive into photography. It already fascinated me for a long time, making vast moments standing still and getting pulled back into the emotions when I look at a picture again. Capturing the world in the way I see it and making it accessible for other people. Getting inspired from the view and minds of other people. But I never took the time and investment to fully engage with the trade behind photography and to learn about techniques, effects and intentions. Until I got the analogue camera of my grandfather. I really enjoy taking analogue pictures, not only to get a break from our digitalised world, but also because I feel way more present this way. Every shot is precious and I have to think more about what exactly I’m doing. So then I had this camera but no idea on how to use it correctly and how to make good pictures. That was when I decided to finally immerse myself in it!

Diary

I came here with the intension of diving more into the topic of taking pictures, mostly with questions about technical stuff in my head. But instead, next to the manual handling of the camera, with which I also improved a lot, my whole sense of looking at my environment during photo sessions changed. In the beginning I was only searching for objects that catched my eye because they were themselves interesting, beautiful or funny. But now my focus is more on the scene as a whole, especially noticing light and shade situations and the relation between objects. When I take a picture now, I ask myself: What do I see in this moment? What do I find interesting and what settings and frame should I use to show this in the best possible way? I had to learn to cut things away that are just not important for what I was looking at. And then to set the aperture more intentionally regarding to the story I want to tell.

“Capture things that you like or identify with. If you take pictures of cruelty, harm and violence you just bring more of it into the world.”

“There are situations when you would like to take a picture of strangers, but they notice and you ask yourself what is appropriate and how to act. It is all about body language. Don’t hide, just be the observer and show your interest. Because as soon as you start creeping around, trying to take pictures secretly it appears weird. So do your thing and go on. If someone doesn’t want to be photographed they will let you know by words or body language.”

 Creating things addressed to Sirius. Sirius standing for the stars, the universe and all creatures that we know or exist beyond our knowledge. Imagine that everything you leave behind is or will be observed by some other being out there. With this picture in mind I try to do my best in showing the most possible beauty, joy and emotion in what I create. So the following pictures are a message to Sirius.

Marsaili Hass selection

Message from Marsaili to Sirius

 I love to take pictures; it is like an addiction. I feel a strong need to preserve a moment for eternity, even if I may never look at the picture again. 

When I was maybe 10 years old, I got my first digital little camera. I would take pictures everywhere and anything, but mostly of family members and my little cat. There was a feature on the camera that allowed you to apply different filters to an image, such as overexposed colours or a drawing-like effect. I really liked to play around with this. For a very short time, I would also try out analogue photography with an old Yashica camera, mostly black and white. But since I have a phone, I guess I mostly just use my phone. It is only since this trip on the ship that I really tried to manage all the settings manually. And it is really something different to take a picture with a manual Leica camera than with your phone. Of course. 

But I am also conflicted about when to take pictures or why, because there are already so many pictures in this world and similar photographs already exist for everything. And yet we don't stop taking pictures. Because this one photograph with this light has never existed before. I do not wanna say that I want to take a unique picture. I search for an instant in a moment that speaks for its own. When new stories evolve around the images, it doesn’t matter if they are true or not.

in the gap between April and May 2025 in Faros philozophical syposium in Stari Grad -island Hvar in Adriatic sea- video IN MY NAME was first time screend 

SEEDS OF PALESTINE dreans, is the title of 2nd edition of a book, where 99 Palestinians expres in selfportrait and words, there  relation with ladn of Palestine and people living there (previev 1st edition) Book -2nd, edition is on the short list, to be published by publisher Sanje

Eyad Tamallah, 20 ....I have many dreams. The big dream is for the world to be in peace. I believe that peace will start from the people themselves and not from the government...

I was born in Quira but I live in Ramallah. I study engineering at Birzeit University. I love to do things where you can see changes. The purpose of engineering is to make life easier for people. I think this is a big purpose. I also love philosophy. To learn about society. For a young person, to build your future, it is good to go to the city. It has more opportunities and you can meet people from different places. You can get a wider perspective so I think this is important. But I also really like coming back to the village during the weekends, holidays. I like the way people here are together, the family evenings, how they love each other. When I am here I do agricultural work and I feel I am part of the village. I do a lot of traditional farming. Here I get a lot of knowledge. I think it is important to work with the land. When you are in contact with nature, you get a very deep connection with yourself. I think this will make you stronger, wiser.

I have many dreams. The big dream is for the world to be in peace. I believe that peace will start from the people themselves and not from the government. This is my big dream, that people find peace in their hearts. I see my future here in Palestine. I think you should help your society, your country, the place where you live and where you share your memories. But I would love to go for a trip somewhere. I wish to go to the sea. To see the other side of our land. As a young man I can’t go to Jerusalem, to the sea, Haifa, Jaffa. So I wish to go there.

BOOK-preview

During 10 days in July 2018, anthropologist Barbara Vodopivec and me did 100+ interviews with selfportraits in the country of Palestine – cities and villages in the West Bank. The result is unique, nothing I could have imagined beforehand. It presents a parallel life, deeply rooted in heartfelt  relationships between people, as well as to the land. Land as a space that provides everything necessary for life, as well as culture and history. The wisdom based on the intelligence of heart, which goes beyond unconscious survival patterns of human nature, is very valuable for everyone of us, because we are all to some extent exposed to the pressures of domination, exploitation, control, violence. It is the way  to find a peaceful transition to the next step of our evolution in harmony with all beings.
At least half of the Palestinians are scattered around the world, but remain connected with the land and the people in Palestine. In this way, the wisdom they developed is also spreading around the world. The situation is similar to the side effect of the occupation of Tibet since 1950. More than half of the Tibetans live outside of Tibet, spreading Buddhist wisdom all over the world as an important mankind’s endeavor to understand life and develop peaceful ways of coexistence. It is based on compassion, which is also a common point with Palestinian wisdom. It lies in their hearts. 
What also became clear to me during our time in Palestine is that Jewish people, through their centurieslong struggle for survival, developed extreme intellectual consciousness. The latter drives and motivates us “from the opposite side” to the intelligence of heart. To this day, these two fundamentally different worlds have not found a peaceful dialogue. When talking about the future, many of our Palestinian interlocutors stressed that the most important goal should be peaceful coexistence for ALL in Palestine, which also includes the settlers who took over the Palestinian land.

PALESTINIAN YOUTH AND SEEDS OF THE FUTURE

introduction from the book  by Barbara Vodopivec, anthropologist, Society for Human Rights Humanitas, Slovenia

How do young people in Palestine see themselves? How do they live their lives, what do they dream about and what are their hopes for the future? With this book we try to give a glimpse into the way youngpeople in Palestine think about these questions. Thisis not a research about Palestinian youth or a holisticrepresentation of their lives. Rather, it is an artproject, a mosaic of images and a story about the way they understand themselves and the place andtime in which they live.

Through the use of self-portrait photography and short interviews we hope to capture young people’s voices, particularly their experience and expressionof a personal and collective identity. The portraits,which always place an individual against his or her background, explore identity from a very intimate, individual perspective but always in relation to thebroader environment. Personal and collectiveidentities are closely interconnected and in the narrative of the young people, the harsh politicaland economic situation further intertwines the two.When young people talk about their own lives theyalso talk about Palestine. When they describe their home they also describe their country. In theirnarrative Palestine is not something abstract but what they experience and express through their daily life – through work, dance, sport, studies, art,architecture, friendship, family. As many emphasize,due to the struggle for freedom and justice,Palestine is in everything they do. This means thatpersonal dreams are impossible to separate fromthe hopes and aspiration for a Palestinian future.

The portraits and interviews thus aim to tell a story of how young people feel their identity, how they experience it through their personal self as well as through the place in which they live, and in relationto people they live with, or are separated from. Forthe context of Palestine, the latter is particularly important, with Palestinians living divided betweenthe West Bank, Gaza, and the rest of the world. Thisseparation, together with the system of oppression, discrimination and colonization which makes it almost impossible for people to travel, creates a distance that many young people try to overcome in their imagination by pointing to their emotional attachment to places and people they have only heard about, either through friends, parents orgrandparents.

The people we met were outspoken about the way the political and social context they live in limits theirdreams and possibilities for the future. And the sadness and anger this causes. Yet they alsoexpressed an incredible perseverance, resilience andhopefulness. Despite insecurities that perpetuatetheir lives young people stress the importance oflooking forward and struggle for change. Their dreams and imagination of a different future are not to be excluded from this change.

All the photos are self-portraits. While thephotographer set up the photo studio it was thepeople themselves who took the portraits. This so called Selffish Studio developed by the Slovenianphotographer Bojan Brecelj enables people to express themselves in a creative way, making themnot only participants but co-authors of the project.

Every portrait was followed by a short interviewwhich is partially published together with the photo. The photo studio was set up on different locations – streets, universities, youth centres, parks, cafes.Aside from few exceptions most of the people wereselected randomly. Conversations took place in English or in Arabic with the help of a translator.

During our ten day stay in Palestine we visited East Jerusalem, Bethlehem, Nablus, Jenin, Ramallah andHebron, always with the surrounding areas. People wemet live in these cities for various reasons: some were born there while others moved to the area to work,study, or are only passing through. These mix of people with different personal backgrounds shows the flow of the cities and its interconnectedness, the mobility, which although limited, it is still taking place.

During our stay in Palestine we also planned to visit Gaza yet we were not able to obtain permission toenter. Unfortunately, we were also not able to meetPalestinians living inside the 1948 territory, the importance of which was stressed by several peoplewe met. Hopefully, this is something we will be able to do another time in the future.

Lastly, we would also like to mention that both authors of the publication are form Slovenia and donot live in Palestine. This of course had an impact onthe way we approached the project, on the set up ofthe studio, on the questions we asked and the final selection for the publication. Our voices are thus impossible to exclude from the publication. This istherefore not just a book about the way young people see themselves, but to a certain extent, it is also connected to the way we see lives of youngpeople in Palestine. 

Intruduction to the 2'nd edition : (google translate from slo )

Hopefully this is something we will be able to do at some other time in the future, stated in the foreword to the first edition, because we were not able to get permission to enter Gaza to interview the young people as we were able to do in the West Bank ( the Jordan River) and in Jerusalem.

If I had not visited Palestine and Israel, it would have been an impossible mission for me to connect and understand this part of the world. Meetings and conversations with many people throughout the West Bank of occupied Palestine, who welcomed me with open arms, opened my eyes. So many years of constant oppression and aggression should make them miserable. But I experienced the opposite. The Palestinians showed us another side of (human) nature - I met proud and down-to-earth people whose self-confidence is based on trust in life itself. They managed to establish a parallel life, which they live together to the fullest. Order there is not based on obedience or survival, but on self-awareness, self-awareness that is not formally expressed. I could identify with this because, even though I was only a passing stranger, they welcomed me so warmly. A simple definition of coexistence among Palestinians in this part of the world has three pillars: a loving relationship with the land where they live; strong mutual relations or strong community; a deeply internalized consciousness of unity with a unique, invincible life. Many have expressed their dreams in interviews that one day there will be peace and harmony among the people currently living on this earth. Palestinians in Palestine - now in Gaza - know that many more can be killed, but that their spirit and the true nature they embody will eventually be part of a shared peaceful future. In a world where the consciousness of interconnectedness (unity) is a threat to many, the "parallel life model" mastered by the Palestinians, especially in Gaza for 75 years, the Lebanese with the experience of the thirteen-year war in Beirut, the Syrians and other Arabs in this part of the world , a common human experience that is spreading, as a large part of these families are displaced around the world - they live among us. at the same time, they remain connected to their original place and people. The awareness that it is possible to live fully, even as a parallel life, should not be just a dream for many around the world who do not agree to violence. In a world with such awareness, there will be no division between Palestinians and Israelis.

Our visit to "Lebanon – Be Enlightened" took place in June 2022, when Ivana Petan and BB were invited by fans of Ivana’s ceramics to celebrate life with them. I was able to take time to follow the light in the name of the MEDLand project, and Ivana and I both fell in love with the heartful spirit that goes far beyond and over the limitations of continuous pressure to …for best view use (laptop) computer !

Vladimir & Rafi * Rafi & Vladimir, two friends, two colleagues, two blessed people by their own definition, determined to continue to live in Lebanon and co-create with 30 other people – one of the most advanced landscape architecture Bureaus based on experience and knowledge of integrating and amplifying the energies of place in harmony with being(nes)s that coexist there. 

 ..goving over the sea never repets 

If I was to describe the 4 weeks' time of Inbetweening with Áine, I’d use the sentence ‘Is that so?’ from a story about Zen master Hakuin that Áine told me one day on the boat.

A very ‘humble, disciple, and great master in one’-soul; young, full of passion to learn, to experiment, to be persistent, but also willing to surrender when need be…; is that so.

Formally we got stuck with the maintenance work on the boat that was not finished in time to do the planned MED trip BUT! we took this trip from day to day heading through MED Land tasks that always need to be done.. for the good reason to create conditions where we can meet and exchange what and for what we are ..

Aine started a new Youtube channel for MEDLand Project, and created three videos during her time here – including a video specifically about our In Between-time:

AND :  image review-selection of Ainas pics from that time, that I can point out :

1,2 - dynamic composition, by default static- main object in the center BUT here  front and background is in a dynamic relationship and makes photos beautiful 

3 - again every bit has a sense here..I start and end looking where the eyes should be and I do not miss them! 

4- a detail with a lot of stories that light and color speak directly 

5- the light dominates here! light has a form..

6- if you forget about the bike and observe only shadow ..photo starts to "move on " 

_________________________

images of a storyteller :-))

The times in which we are living is...MEDLand project is...

In Between

The engine, the heartbeat of Nalu was handover to Drago..in Sučoraj, just 60km from Nalu home port but long enough to traveland meet Nikša, the archeologist from Sučuraj* and stop at the stone circle-new land art structure on Hvar island :