All Posts by gajanaja

Traces of MED Land Project

>27. 1. 2017<

See our first publicly shown  interactive-slideshow about the MED Land project -Nights of Museums /Museum of Stari Grad-Hvar island CRO /MSG is a partner in the project /

>>>> "interactive slideshow" to advance use right arrow > on keyboard, or tap on smartphone

…in 2016 the MED project concept was rewritten with the orientation on the islands, and I needed an experience that would answer me what does it mean to sail longer distances to new places … find a safe place in the port, do all needed on the boat, and have time to work on the project. It is about the timing, how much time and my attention do I need for “the approach from the sea”. 

Fifteen people backed me up! to do this logistic research trip! to Ionian Islands..

1st Research trip report!

>28. 10. 2016<

After the MED project was on the paper a true need to do a basic research trip came up …


On the base of previous projects in Mediterranean – Adriatic sea, on the Croatian coast and in Venice lagoon, also “coming from the sea”, approaching the land on the boat,  interacting with people and land, documenting with self-portraying, on-location photography, audio interviews, documentary photos and videos – during 2016, a larger vision of All Mediterranean project was defined. Who, what, how, beneficiaries…, a complete concept was written. It was done with the help of three experts from different fields.**

How to work “on location” – the active part of the project, will be visible from what I can imagine from previous experiences. Staying and living on the boat, and functioning in the project terms from the boat, is not new to me. My experience having the boat as the living and working base was limited to Adriatic Sea (from 1986 on!), which is only a small and shallow part of Mediterranean. After the MED concept I needed an experience that would answer me what does it mean to sail longer distances to new places … find a safe place in the port, do all needed on the boat, and have time to work on the project. It is about the timing, how much time and my attention do I need for “the approach from the sea”.

Fifteen people backed me up! to do this logistic research trip!

I got also a perfect crew, Jana Prepeluh, performer artist, with experiences of collaboration with other people on the projects, traveling and working also abroad, half-Bombay citizen, and as well sailing in the past… She is wind-boat-sea lover, willing to overcome any challenge, which sea can be :))

In the last week, Eva Marn – an activist for human rights, living rights…, layer, active in NGO sector (Humanitas), start-up person…, joined us. Eva was one of the experts, working on MED concept.

The boat needed attention )), also on the way..

Where it all started again?? At BASILICA DI SAN NICOLA in Bari, Italy, in summer 2010?

I came to Bari to find out if Nalu (the sailingboat) is the right boat for me. Since I did not know at that time anything about wooden boats, Andrea Tagliapietra,, from Venice, Giudecca, third generation wooden boat builder, accompanied me … at the end of the day, before we flow back to Venice, he proposed me to go and visit Basilica di San Nicola … inside of this huge space, with the wooden ceiling, like the inside bottom part of the boat, I got blessed with the very unique and strong inspiration “about the universal principle of energy structure which is turning the life on Earth – a different and more complex than Yin-Yang principle, which is based on tension of polarities… So besides having a mixed opinion from Andrea if Nalu, she, is good enough to buy, I got “an inspiration”, which still now, after 6 years, is engaging me… My conclusion was that already visiting San Nicola (named by saint, the protector of sea-traveling people) was more than I could expect and wish from that day… Three months later I came back for the boat with Ivana and Sabine to sail from Bari (I) to Piran (Slo), and started the restoration (which was at the end even published in the book by Andrea Chappai-Barce in Legno). At Bari, two key points for this current project were embracing me: one is the boat and the other is the Mediterranean, as one of the great sources of “new age” – the world where the new logic of living is seeking to incarnate.
And the boat? 
Well, this has also a long story. In the sixties I traveled few times to India, by road, train, hitchhiking…, by land. And  when I came there, I WAS THERE! Really there! So different from entering through airport and being another 10 days lunatic. In the eighties I loved to visit and stay on the Croatian islands; Susak, Kornati, Unije, Ist, Premuda, Mala Rava, Vis, … yeah, freedom, openness was all over the place in nature and people. Those times I came by boat! Interacting with people, taking photos, filming,.. publishing feature stories, also in foreign geo-magazines…

– mag cover img ))

Coming over the sea, from the sea side, gave me a specific entry point for connecting with an island and tracking the space in time of the following days… AND also this last basic research trip, with the focus on Ionian islands in Greece (a distance of 400 NM from Faros – Hvar), gave me the same feedback! Coming by boat and touching the ground on the shore, is most primary and natural way to establish relation with people, and to trace your way through the island in the way everybody else living on it does it, from the ancient times on!! **
“HOW was the trip?” I did 3 LOG emails on the way – which were shared through the supporting group of “18” who backed me up financially or contributed with other material or nonmaterial means.
PDF LOG 1,2,3, is here,  and summary of the trip in English will follow ))

the conclusions :

by boat is the appropriate way: the basic wisdom of photography / film…, documenting a story making, is about being in the right place at the right time, to be THE witness! So the first step is THE contact with the place, to be in tune as much as possible, and very important is, as well, having the clear aim of your interest. I can stand beside the person in front of the monument and most possible we would be in two worlds, depending on previous “steps”. It is about tuning in with your all senses open.
 
= story by story, ongoing diary, ongoing publishing is the basic form to share the content of documentary / feature / selffish -self-portraits and interviews
= creating a network for collaboration and exchange between the people involved in the project – primarily the islanders. This is a basic, primal purpose of creating and publishing
stories
 

sharing “stories” with network of “followers”, let it grow, and focus on them as primer audience

feedback from followers and collaborators is a constitutive part of creating the project, (through webpage, FB page)

crossing the  networks: of followers, “islanders” and of people involved in the project

constitute a budget (contributed mostly from the network of followers) on a monthly basis
=  residency program: other creative people can join the project for a limited time on the boat, and create also their work on the related theme (s)
= start with the web page and load also the previous work, done recently in Adriatic and Venice
revise planning on the basis of experience from MED project – research trip in Sept-Oct 2016 ***
coordinate the team and workflow: communication/PR person, editor+ and translator for WEB and FB page, next crew member ****
improving the boat
improving  photo, video audio recording gear 
* besides me, there were three experts working on the MED project concept: Stan CoendersEva Marnand Japec Jakopin, the different approaches with a very clear and condensed result.
**  the question is when I am on the shore and even some km away from the boat, who would actually know that I am “one of them”? … In my experience I do carry this “attitude” with me, and I act, communicate and respond as a close-by neighbour, loosening the feeling of being a foreigner. Confidence is actually the key attitude to really blend, experience and respond, in my case with cameras, recorders, notes…
*** in 23 days long trip (plus 2 days of final preparations in port), which is 360 active hours, on 870 NM long trip, we spent nearly 230h for sailing and mooring. It means 8 days were left to “interact ” with people on the islands. In our case three days less! since we had to wait for better weather conditions to cross the Adriatic Sea … In 23 days long research trip, only 5 days were actually left for the project (22 % of time)! During the actual project in the future, proportion of time spent for traveling and time, working on the project, will be  different, but “long distances over the sea” must be calculated. Estimates for the future: 3 months altogether is needed for staying longer on 7 locations (islands), focused on the project and coming up with some 20 stories!

Improvement in “logistic – traveling” also needs some updates on the boat, to gain some speed under the sails as well as on engine.

**** next crew member – the experience to have two important rules, focus on the project, as well as being a skipper and doing most of the sailing navigation, and then being also responsible that all is well in the port, doing some repairs, taking care of water, fuel…, it all takes time and energy, and NOW I can see that a crew member that has (also) skipper skills, is very welcome, at least for some parts of the trip in Greece and Turkey islands.

timing my plan was to work on the project 3 years, 5 times for 3 months (spring and autumn). The reality of intensive pressure everywhere, on the coast and islands, generated from the tourist business, made me think that actually winters are better. Tourist season, at least in Greece, starts in late April and ends up in the end of October. People living on the islands actually pop-up in the open in the winter. Most of the activities, on the land in olive plantations, vineyards …, and building season, are actually happening in late autumn, winter and spring, so at least, the first Leg of the MED project should be over the winter period.

visit also Gallery
Bojan Brecelj

Sailing invitation

>1. 9. 2016<

Announcement!

12 September – 9 October

Looking for a crew of two people who are wishing to experience sailing trip to a Greek Island… (full capacity of the boat is 5 people) Trip characteristics! Skipper and owner Bojan Brecelj is a professional photographer –CV, with sailing skills and on a research trip for the new project in Mediterranean.Boat : Schiarelli Catboat  – 1978 build in Chralljeta shipyard in Triesterestored 2012/13 by Bojan Brecelj, GALLERY of the boat  3/4 – legs trip 1 – Starting from Stari Grad Hvar via Brindisi > Ionian Islands > Kefalonia  (12,13 – 20 September)2 – Kefalonia > Zakinthos around 20 – 26 September 3 – Egina island > Kefalonia island > Stari Grad via Albanian coast  (30 September – 9 October)Costs:  food, mooring, diesel is shared + 20 EUR per person per day participation Further info > bojanbrecelj5@gmail.com, 00386 41 765714

NEW Story: Matko Zagalo

>4. 4. 2016<

“…..I consider myself living in paradise, but when I say this to my wife she says, again you are going for your nerve healing. Always and again I’m trying to persuade her to come with me because it’s simply beautiful in the vineyards, and the view from the southern side is fantastic… I call this heaven.

Read full story.

NEW Story: Jelena Gracin

>3. 4. 2016<

“…My dream was actually to come and live on island Hvar, but I did not know how to do that … I got a work offer in Zagreb but I turned down the job! Instead, I went to Rijeka took one year job, which was actually a lot more adventurous…it taught me a lot, the city is also is wonderful, so I really enjoyed Rijeka experience. From Rijeka, I boarded on ferryboat 28 boxes, 2 cats, 2 bikes, viola and violin and moved here, on Hvar. When I arrived, I felt that I came home…”

Read full story.

NEW Story: Petrić Andro- Muse

>2. 4. 2016<

“..Than I just entered the house and came in to the room through back door. We started to talk and I continued to photograph him. He ruled tobacco, one after the other… When I proposed him to make a self-portrait, he somehow understood and replied instantly “Why not all is possible” , so I brought the mirror and flashes in the small room.. to write his recorded words is nearly impossible )) because of the dialect and indigenous (local, Italian, Mediterranean mix ) words…”

Read full story.

Defining the project

>1. 4. 2016<

During April till June 2016 a core team/board members Eva Marn, Japec Jakopin, Stan Coenders and Bojan Brecelj defined  the basic logic and the strategy of the project:
why, who, how, when, for whom, which was put into the form of a well-designed poster by Petra Petan.

Water Dragon of Venice

>22. 1. 2016<

GALERIJA FOTOGRAFIJA Ljubljana / 19thJanuary-20February 2016

The series of photographies were created mainly in the period from July to December 2013, and after.

They are reflection of my connection with causal-elemental nature, and my search for active primal places of the space. In the past Venetian civilisation was already tuned with these places. Photos I see as records/stories, which were revealed to me. They are stories of life pulse, which is not explicitly seen. Through the process of the search-tuning-taking photos I became conscious of new secrets of (my) world. I’m passing them forward.

For me, Dragon** of the  is first of all water dragon…Lifewater, Airwater, Firewater and Earthwater are for pervading elements of the dragon being. Dragon, with whom I connected, I could identify on certain placed in the Lagoon: on Torchello, Giudecca, San Lazzaro, San Servolo, Burano, San Francesco del Deserto, these water vastnesses, where I stayed for longer.

**Dragon – casual world of elemental life pulse of the Gaia; planet Earth.

Venice is the place, where I get married with the water. First days of July 2013, I again sailed back into Lagoon. From 1978 onward, in the period of more than 30 years, I spent all together more than one year living in Venice. In this time, I created photographies for four books of Marko Pogačnik, for three journalistic projects and for two art projects.

from 26 of January 2nd part exhibition was opened in Italian Institute for culture in Slovenia, Ljubljana, Breg 12. In the gallery of the Institute, photographies of Bojan Brecelj are complemented with 32 drawings of Marko Pogačnik: The sound of Church of San Giorgio Maggiore and other drawings of Venice.

Water Dragon of Venice, Med Land Project

Self-published art book: Water Dragon of Venice
Limited Edition of 123 signed and numbered copies
150 x 220 mm / Hardcover, Leporello binding, Handmade, inkjet prints on archive paper / 26 pages
Date of publication: 2016

MORE

In the deep past of Gaia’s evolution, “sparks“, asteroids … certain information from distant stars and galaxies … sparked the evolution where dragon forces developed as a living conscious form of Gaia. Venice is the place where I get married with the water. From 1978 onward, in the period of more than 30 years, I spent more than one year all together living in Venice. During this time, I created photos for four books by Marko Pogačnik, three journalistic projects and two art projects. In the first days of July 2013, I sailed back into the Lagoon … In my world, water is the essence of life or life itself – forming, transforming and sustaining structure which holds information. The rhythm, the processes and the motion of water is actually the presence of rivers – like the Nile, the Ganges, the Sepik, the Amazon – the presence of the lake … of the sea … and of the Venetian Lagoon … The Lagoon is one of my prime spaces to “sink” into the element of water.

Notes from September 30, 2013: the pull of the water … the connectivity with the seas … the information-inspiration that the water brings from the sea and rivers AND is exchanging over the water … AND not to forget that we are also water… but … here in Venice, in MY world, I started to recognize that the living being of the Lagoon water is actually dead, or at least very sick … this fact did not get into my living consciousness so easy … what is happening with me, as water self, while touching the water of the Lagoon… the basic relation with the underwater – the very source of life – is hardly connected to the elemental water, perceived as a life structure or intelligence, co-creating information and instantly passing them to the “almighty waters”. Water can carry countless information. Water transforms/regenerates very quickly. Water exists within and around us practically everywhere … water makes love each day with trillions and millions of sunbeams – beings from the sun – millions per second in one droplet … all of us, in fact all matter, contains water, with very small exceptions such as diamonds. Our connectedness – ONENESS – is physically manifested through water, which can transfer the information practically through everything, including the atmosphere, the soil … Everything contains water! We are water – the essence of life – and water in its sub molecular form “contains fire” and evaporation is a constantly present process. Now, in 2013, the Venetian Lagoon did not let me overlook itself, the very being – Lagoon, which lives in its space/canals, in the area of 550 km2. The Lagoon is constantly moving water. The sea moves in, in a strong current, six hours in and six hours out… and from the land, three rivers are blending in. The Lagoon is like a river, a natural complex being, continuously inspiring and feeding. The pattern, the current, the information that accumulates, transforms, dissolves, shares with the surrounding life, is actually the essence of what I mean by river, lake, sea, lagoon, stream … Venice was a republic for 1000 years (726–1797), and for 700 years, every year the Doge performed the most important ritual, “marriage with the sea”, a marriage of the Venetian Republic with the mighty living waters of the (Mediterranean) sea … by giving a golden ring to the sea. Here in the Lagoon, through communication with the water, as well as with Ivana Petan, who gave me the awareness of the air, I became aware of the complex being-living presence of the Venice Lagoon, which I named The Water Dragon of Venice.

Bojan Brecelj

project /concept and photography/ by : Bojan Brecelj in collaboration with Marko Pogačnik and Ivana Petan

 

With the support of  Italian cultural institute in Slovenia (financial realisation of the exhibition and book)) and many others financially, morally and with their concrete involvement in the process: Anuša Homec, Jelka Brecelj, Marika Pogačnik, Barbara Čeferin (Galerija Fotografija), Mario Vidal, Andrea Tagliapietra, Japec Jakopin, Anne Durufle, Violeta Bulc, Barbara Stupica, Ken Marquand, Marko Paš, Miran Srša … 

Bojan Brecelj • translations and proofreading: Tadej Turnšek, Mateja Kralj • graphic design: Petra Petan • printing: David Tavčar-Artiko • bookbinding: Tiporenesansa andLuminus
published by Bojan Brecelj and Italian Cultural Institute in Ljubljana

Realization of exhibitions : Italian cultural institute in Slovenia and Galerija Fotografija

Photography workshop under the sails

>17. 6. 2015<

Announcement and invitation:

Photography workshop under the sails on a sailboat Sutorman:1-8 August >Conditions and the PRICE are very affordable, and the opportunity of extraordinary !
The boat in its 15 meters gives the comfort of 10 people – 3 we, the crew, including mentor for photography.
It will be intense, but all in tune with the wind and the spirit of the whole team.
Travel and photography workshop begins in Stari Grad, the island of Hvar. Our route will south towards island of Korcula, Mljet, Lastovo… Depending on the winds and the mood we embrace during seven days. We end up in  Stari Grad Hvar.
The price for the stay, sailing, skipper and mentor /photo workshop is 360 EUR + food, which is procured according to the principle of total purchases from the joint treasury/ everybody contributing the same share. On board is a kitchen, fridge and all necessary for preparation. The cabin is for two people >> more photos of the boat
Photography workshop :  there is no limitation for participation regarding your knowledge of photography, however, it is necessary that you have your own equipment, camera, and computer with program for viewing photos. The workshop will be dedicated to your individual needs for developing your skills in photography. Tasks will be tailored according to the knowledge of the individual. Training will be primarily focused on the technical knowledge that we need, that our admiration actually appears on the photo :  “to get what we see”
* The rhythm  of work : in the middle of the day when it will be hot and the light “flat”, we will process some of the theories that will be related to the technical basics such as aperture, time, sensitivity, color, format (jpg,RAW..,) as the light , the framing, and the logic of observation, approach, … This knowledge will be every day practiced through certain practical exercises.
Each will exercise by himself, on their individual walks in the morning and afternoon on locations where we docked, as well as also during the voyage )) The evening will be the time when we will have photos reviews to discuss the “language of pictures “. According to the very environment, the sea, the wind, the boat, new places ..and a plethora of opportunities for swimming, sunbathing, sailing.. we will be temperate with the time that we take for photography. I can expect also questions that  each of you will bring with your camera menus and bottoms… Such cases I will answer as each separately, if necessary .
Mentor : Bojan Brecelj – the status of a freelance artist/ photographer. The main experience is 15 years of intensive cooperation with the Fr,I,D agencies Sygma, Corbis Fr, Focus.. and the media directly, in reportage projects .This period is summarised in the copyright book : Strange Friends, Other book subject were tropical mangrove forests, Venice (author Marko Pogacnik), where I worked closely with the photo. Several projects were derived as the exhibition. From 2010 onwards, group projects, including Selffish/self-portrait installation : “Who are you ?”, “Synergies of Sarajevo”, “Ermoclia, the place I want to be”, 7/8 DAYS..In the past projects were doneI  also in the field of documentary film (the shooting script), stage design, graphic design and multimedia projects / more
Skipper : Miran Srša, with many years of sailing experience in the Adriatic and the constructor of over 50 yachts, will provide a pleasant and secure navigation and secure anchoring in less inhabited bays and ports, in the rhythm that we may, in addition to all the maritime pleasures predominantly focused on the pictures .
The time is approaching ! . The conditions and the PRICE are really very affordable , and the opportunity of extraordinary ! given the limited number of 7 participants (now 1-2 are still free)   – I recommend that you book your place as soon as possible >>
contact : bojanbrecelj5@gmail.com , 041 765 714
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